Even when you close your eyes, you can feel the difference between the two worlds in “The Madison.” When Michelle Pfeiffer’s Stacy Clyburn returns to New York City after spending a week in Montana, ...

Fans of RogerEbert.com know that we’re about to enter a fun phase of the year as the SXSW Film Festival gets underway, ...

What feels like the longest awards season ever will come to an end this Sunday, March 15 th, when the 98 th Academy Awards ...

It's goofy, knowingly strange, and wears its heart on its sentimental sleeve, and that's enough to put some wind in its sails ...

The director and star of A24's atmospheric horror film talk fear, faith, and turning the filmmaker's family home into a haunted house.

I’d be willing to make the time investment, but the payoffs should start coming early and often.

With these flaws comes a depth unlike the characters in any other genre, yet “Scarpetta” plays it too safe, sheltering its protagonist and stifling any sense of intrigue she could offer. With the ...

In writer/director John Burr’s socially conscious thriller “The Gates,” three friends go out for a night of reverie, only to find themselves trapped in a gated community where a local pastor, Jacob ...

This month, we’re looking at the unselfconscious work she did in the Happy Madison production “The House Bunny” and Jody Hill ...

I Love Boosters” is a wickedly clever skewering of the moral rot at the center of the fashion industry delivered with enough vision to make your eyes hurt.

But there are still four Oscar categories that have never been won by a Black person: Best Director, Best Cinematography, Best Film Editing, and Best Visual Effects. (Note: This ignores the new Best ...

The annual True/False Film Festival is a short yet focused event that explores the boundaries of nonfiction filmmaking. This year, the lineup boasted a number of thought-provoking and mesmerizing ...